
Cast:
Vinay, Tanisha, Sadha, Raju Sundaram, Srinath, Sathish matrum palar...
Crew:
Banner : Oscar Films
Producer : V.Ravichandran
Story, Screenplay and Direction : Jeeva
Music Director : Harris Jayaraj
Dialogue : S.Ramakrishnan
Editing : V.T.Vijayan
Arts : Thotta Tharani
Choreography : Raju Sundaram
Lyrics : Kavignar Vaali, Pa.Vijay
Review:
To start with, Unnale Unnale is a poetic love story with a difference. From the introduction itself, it seems evident that this film is something new and different from the other films of the same genre and storyline. Vinay plays a young Civil Engineer and he is an ideal hero for this film and rightly fits into the role. Vinay is a tall, young and handsome lad shows good acting prowess and has good scope in kollywood with his looks. Tanisha is one of the heroines who happens to be the sister of the beautiful, evergreen Kajol... She is beautiful and bubbly and fits the bill as the friend of the hero Vinay...She looks fresh and never looks to make the environment gloomy. Then, Sadha..... I have seen her in Jeyam and Anniyan.... But not as beautiful, as charismatic, as sexy, as lively, as in Unnale Unnale!!! I just couldnt take my eyes of Sadha.. Scene by scene, Reel by Reel, she is as beautiful as I could imagine... The story is a poetic love story as i said before and it mainly revolves around these 3 characters.. All the 3 characters have done their part really well... A warm applause to the 2 new comers Tanisha and Vinay and a really, really warmer applause to Sadha for her acting.. Her eyes speak a lot in this movie... Oh!! I actually forgot that I was writing a review for a film not for the heroine.. The other cast like Raju, Srinath and Sathish have also done their part particularly well.. There is no separate comedy tracks... Each and every scene is filled with Youth, Love and Humour and so, there is really no need for a separate comedy track... And one more thing to be applauded is that there is no blood, no action which makes it one of those out and out love story... The film has been shot in Melbourne, Sydney and London.. So there is no dearth of scenery as well... So, a must watch for youth... I think the director must have done a lot of work cos he has completely read through the mind and mentality of a girl... Sadha as the possessive lover has done her job well and I would really want to adore my blog with this...

The Big "+" Music:
Music is one of the biggest plus in this movie... The picturisation of the songs is even more amazing.. Gr8 work by Jeeva... All the songs are amazing and even before the film was released, the songs created the much needed hype..But the film lived upto the expectations. Jeeva and Harris Jayaraj have created magic in 12B and Ullam Ketkumae before. They have taken off from where they had left in Ullam Ketkumae to give a quality music which is sure to spell bound the masses.A right mix of melody and racy rhythms, the album has everything a music-connoisseur expects. Harris Jayaraj, a man of few words, has once again allowed his music to speak. June Pona (Krish, Arun)
It begins with weighted rhythms that Harris Jayaraj is famous for. A western melody with perfect beats, the song has good orchestration which is a hallmark of Harris Jayaraj's songs. Leaving his signature in the song, the music-composer has managed to ensure that lyric and the music go hand in hand. Krish and Arun have rendered their best.
Hello Miss (G V Prakash, Anushka)
The young and talented music composer G V Prakash, who managed to hog all limelight with Veyyil, has crooned the song in the company of Anushka. Being a music director himself has helped him render the song with needed life. A typical Harris number, the song begins on a brisk note with a catchy humming, the Anglican way of rendering by Prakash is a big attraction. The additional percussion strikes.
Vaigasi Nilavae (Haricharan, Madhusree)
A perfect ten by Harris Jayaraj. A catchy melody with striking lyrics, the song sticks to the hearts on the first listening. Harris has proved yet again that he is the master of melodies. The brilliant use of guitars with percussion instruments, it is a good melody.With a solo violin in the interlude, Harris simply touches the heart and soul of the listeners in the interlude. Commendable job indeed by Harris.
Mudhal Naal (Mahalakshmi, KK)
Harris Jayaraj goes the Eric Clapton way. Begins with a perfect rhythm, the song has a catchy dilly and the mesmerizing flute in between to caress the listeners. The open-throated KK in the company of Mahalakshmi manages to create a romantic ambience. A difficult composition by Harris Jayaraj, but made to look at the easy at the end.
Ilamai Ulasam (Krish, Shalini)
Krish begins in a husky manner. With Shalini joining him, the song slowly goes on to catch the top gear. Harris Jayaraj has opted for saxophone to make a beginning. Watch out for the tunes, which flow like a stock market index going up and down. An attractive bit song.
Unnale Unnale (Karthik, Krish, Harini)
The title song of the album. Harris Jayaraj's hard work is evident in the way, the song has come out. All ready to top the audio charts, the song is oozing with energy all through. The thing that appeals to you the most is the splendid orchestration. Harris mastery in mixing and instrumentation is the real attraction of the number. Karthik, Krish and Harini play their part well.
The other plus include the other characters which play their roles perfectly well...A special applause to Kavignar Vaali and Pa.Vijay to add strength to the already strong Music of the film by penning down the songs..
Negative:
Cinematography was the positive and the negative side of the film... The Director could have avoided certain Camera angles which were not at all necessary for the film.. I think the director may have thought that there wasnt enough oomph in the film.. So, he could have avoided exposing both the heroines especially Sadha who never needed glamour in this film at all bcos of her expressions.. Apart from these, the film was as colorful and as youthful as a love story should be..So the conclusion is that the producer has taken a brave step by producing such a film because not all directors have such a bold climax in their story.Jeeva, who has done the double role of directing and handling the camera, has not slipped on both the fronts. In fact, one compliments the other. To a movie on love, his work is filled with love and care.Unnale Unnale, on the whole, is a cool romantic treat for a hot season.

